From a series of Neil Armstrong photos posted by the National ArchivesHat tip to Maarja Krusten
Ecclesiastical and political pragmatism, with a beat
Historian and former Nixon tapes archivist Maarja Krusten gets props from OC Weekly's Matt Coker for her recent article about Nixon foundation efforts to get rid of library director Tim Naftali:Krusten ends her piece not by taking pot shots at the Nixon loyalists--her entire account is pretty matter-of-fact and snark-free--but she does take a swipe at others in her profession.
"Historians need to step up their game," she writes. "They need to embrace continual learning and educate themselves about the National Archives and what it faces in Washington. As it is, there is what Naftali calls an intensity gap. The Nixon side showed intense interest in the Watergate exhibit and used various means in an unsuccessful effort to limit it.
"This time around, knowledgeable Washington insiders such as I had Tim's back. Who will fight for the next Tim Naftali, if complacency among historians on presidential libraries issues continues?"
In a History News Network post, historian and blogger Maarja Krusten accuses historians of complacency because of their inattentiveness to the slings and arrows hurled at former Nixon library director Tim Naftali by Bob Haldeman's operatives.
My blogging buddy Maarja Krusten, historian and former Nixon tapes archivist, says David Ferriero is the coolest archivist of the U.S. in history. Here's proof: He recently hosted a jelly-filled replay of the War of 1812, pitting great American donuts Dunkin' and Krispy Kreme against Canada's Tim Hortons.
Ken Hughes argues that Richard Nixon ordered a break-in at the Brookings Institution in 1971 not because of his rage over the leak of the Pentagon Papers during wartime, as I've always contended, but because he was worried about what his political opponents might've known about his effort to torpedo the Johnson administration's Vietnam peace process.[P]erhaps the all-time nadir in American presidential-election ethics was achieved in 1968, when Lyndon Johnson tried to salvage the election for his vice president, Hubert Humphrey, with a completely imaginary claim of a peace breakthrough in the Vietnam talks a few days before the election. LBJ announced an enhanced bombing halt and more intensive talks in which the Viet Cong and the Saigon government would be “free to participate” (i.e., Saigon declined to attend since there had been no breakthrough).So who did worse playing politics with war: The candidate or commander-in-chief?
In an April 30 talk at the Miller Center at the University of Virginia, where he worked for eight years before I recommended him as the first federal Nixon library director, Tim Naftali revealed that over cocktails in Charlottesville, Virginia one evening in June 2010, Reagan library director Duke Blackwood (left) and Naftali's boss, assistant archivist of the U.S. Sharon Fawcett (below), demanded his resignation -- as a sop, Naftali said they claimed, to loyalists of disgraced Nixon chief of staff Bob Haldeman:If I would resign, I would get my [Watergate] exhibit....They wanted to give my head to the archivist of the United States on a platter...[Then] maybe the Nixonians would stop pushing. I thought this was outrageous...[They said,] "Tim, this is the only way your Watergate exhibit is going to happen. You've got to resign."...I didn't, of course.Beginning in the fall of 2009, Richard Nixon and Haldeman's lower-level, non-policy operatives had been waging a ruthless campaign to stop Naftali's Watergate exhibit at all costs. They failed. The National Archives opened the exhibit in March 2011, generating the most publicity for the Nixon library since it opened 22 years ago. But there's no question that it was a close call for Naftali, since, as he tells it, his bosses at the Archives were at war with one another over how to handle the demands of Haldeman's operatives. That Blackwood was essentially carrying the Watergate for them is especially significant since he's a federal official who is paid a six-figure salary by U.S. taxpayers -- just like the Nixon factotum-turned-U.S. senator, Lamar Alexander, who also had Naftali in his sights, at the behest of one of Nixon's advance men.
, or so Naftali implies) were willing to replace his Watergate text with an outline dictated by the foundation's Watergate truth squad, of which perjurer Chapin was the most notable member. If Naftali had quit, it's a good bet that the custodians of the Declaration of Independence and U.S. Constitution, faithfully preserved all these centuries, would have shredded his exhibit before the ink dried on his severance check.
Tim Naftali, the former director of the Nixon library, has enough of secular outlook that he didn't know (or perhaps jokingly claimed not to) that he had inherited his surname from one of Jacob's fractious sons. Still, his Yorba Linda years comprised a wilderness experience of Hebrew Testament proportions. As he sometimes reminded me, I was the one who first beckoned him into the trackless wastes. I also helped give him his toughest challenge: Replacing the private library's relentlessly pro-Nixon Watergate exhibit. I'm sorry about the times I made his work unnecessarily difficult and grateful that he beat disgraced Nixon chief of staff Bob Haldeman's boys and finished what history had called him to do.
When things got rocky, he'd remind me that it had all been my idea. Tim and I labored together for over three years, rarely disagreeing about substance but having a series of pitched battles about Tim's independence vs. the Nixon foundation's right to be consulted on exhibits and programs, space use on our shared campus, and even Tim's lower-case library logo, which he thought invoked the '60s and '70s, when Nixon was president, but we thought unstatesmanlike.
Weinstein, of course, and his deputy Sharon Fawcett, who had both worked hard to bring Nixon's library in from the cold.
old on the nomination of a new U.S. archivist to pressure or get rid of Naftali. They assembled a Watergate truth squad including convicted perjurer Dwight Chapin and attacked Tim's Watergate exhibit draft, calling for friendlier treatment of Haldeman and trying to prevent the public from seeing videotape in which operatives discussed dirty tricks and counting Jews in the federal government. A former foundation employee who'd opposed the NARA handover wrote a column associating Tim with "the left." Another operative filed a FOIA request to read Tim's e-mails. Yet another accused him publicly of sending coded signals about his sexual orientation. His wife publicly accused Tim of leaking prejudicial Nixon tapes to the media.
Archives, custodian of documents signed by Thomas Jefferson, was paying serious attention to a Watergate narrative co-signed by Dwight Chapin.
. But we know from press reports late last year that she'd sided against Naftali and that the Nixon foundation offered her a consultancy after her retirement. All the library directors, including the one who dissed Tim, had reported to her. It's also important to know if Haldeman's operatives played a role. In 2009, the Nixon foundation tried unsuccessfully to get the other presidential foundations to join it against Naftali. Lamar Alexander isn't the only current or recently serving government official with ties to the Haldeman clique.
During 2010-11, Nixon library director Tim Naftali was under relentless pressure over the Watergate exhibit that his bosses at the National Archives had ordered him to design and install. We know about the secret maneuvers by Nixon and Bob Haldeman operatives such as Sen. Lamar Alexander and the Watergate truth squad that included perjurer Dwight Chapin. Now historian and former Nixon archivist Maarja Krusten reports that a taxpayer-paid presidential library director got into the act and actually cussed Naftali out. Krusten says the event occurred in the last couple of years. I wonder if this publicly accountable official was representing the get-Naftali mission of the Haldeman clique and, if so, why.
Former Nixon archivist Maarja Krusten raises questions about historian Benjamin Hufbauer's review in a scholarly journal of the Nixon library's Watergate exhibit, particularly the transfer of the private library to the National Archives. We first tried to get the library into NARA in 1995-6, not 2005, as Hufbauer writes. This passage in his review is especially egregious:[M]embers of the foundation thought they could still have a shrine to Nixon but have the government pay for it. They were wrong. In 2006 when NARA took over, the newly installed Archivist of the United States, Allen Weinstein, personally recruited Timothy Naftali to be the first director of the Nixon Library under federal management. Naftali and Weinstein agreed that the primary goal for the museum would be a detailed and historically accurate account of the Watergate events.It is Hufbauer who is wrong. As library director and Richard Nixon's co-executor, I conducted the negotiations with NARA along with Kathy O'Connor, Nixon's last chief of staff. Before the handover, we agreed that the Watergate exhibit would be replaced. For the first federal director, I recommended one name to deputy archivist Sharon Fawcett: Tim Naft
Eighteen-and-a-half has a powerful resonance for Americans who are at least two score and 18, since it's the length, in minutes, of a mysterious deletion in a Nixon White House tape that became part of the Watergate story. The volunteer sound technician at St. John's Episcopal Church, Dale Griffith, tells me my sermons average about that length -- a bit long for a highly liturgical service such as ours. While their political affiliations are naturally varied, the people of God at St. John's are gracious about my Nixon antecedents. But they probably sometimes wish that I would perform a deliberate erasure of a portion of these long, one-sided conversations, and do it beforehand.As Bruce Guthrie’s photo shows, I was thrilled at the chance to tell Ms. Roberts that I was a member of the Foundation and how much I enjoyed and appreciated the wonderful work it does in partnership with the National Archives. Max Byrd and I exchanged some joking comments. When I told him I was a former NARA archivist who once worked with the Nixon tapes, he asked if he should tear out 18-1/2 pages from the book. I laughed and said, “No, no, we at the National Archives are all about preservation and disclosure. Gotta have the whole book!”
This morning historian and blogger Maarja Krusten writes:John Fawcett retired in 1994 and became an archival consultant. NARA staff told me in the 1990s that he was advising the Nixon Foundation at one point but I only have anecdotal evidence of that. (I know John Taylor worked with Fawcett. I’ll have to ask John if this occurred in the form of a consultancy in addition to Fawcett having worked at NARA.) I thought of that, when I read [journalist Andrew] Gumbel state that the Nixon Foundation offered Sharon Fawcett a consultancy after she retired from NARA late this spring. Interesting echo, perhaps. Given the wording in Gumbel’s article, I don’t know if Sharon actually accepted the offer.John and Sharon used to be married. John finished his long National Archives career at the beginning of the Clinton administration. His last post was assistant archivist for presidential libraries. Sharon served in the same capacity for many years and retired earlier this year. Both ended up being offered consultancies by the private Nixon foundation. Krusten is struck by the symmetry. I don't blame her.
Journalist Andrew Gumbel has published an article about the last battle of Watergate: Impotent efforts by aging acolytes of disgraced Nixon chief of staff Bob Haldeman to chase off Nixon library director Tim Naftali before he could install a new Watergate gallery. Importantly, Gumbel reveals what happened after I left my job as Nixon foundation chief in February 2009 and was replaced by Richard Nixon's longtime aide and last chief of staff, Kathy O'Connor. Among her first (and last) challenges was managing the outrage of Haldeman's minions over Naftali's speaking invitation to former White House counsel John Dean in June 2009:She established a more fruitful working relationship with Naftali, but quickly met a wall of resistance from some at the foundation because she expressed understanding for the Dean invitation. Naftali said she was called a “wimp” in a meeting he attended and effectively frozen out by her foundation colleagues.That sounds just like the Haldeman boys' name-calling. But she's nobody's wimp. Instead, she was encountering the Watergate generation at their weakest and angriest. To Kathy, Dean was an inevitable if ill-timed choice as a speaker at the newly federalized library -- a major historical figure, after all, thanks to his pivotal Watergate testimony. But to those who soon seized control of Nixon's foundation, he was a rat who had helped send their buddies to jail for their Watergate crimes. One operative's wife complained on the foundation web site about how hard the criminal investigations and trials had been on the defendants and proclaimed that perjury wasn't even a crime -- pleasing news, one imagines, to Dwight Chapin, newly influential at the foundation, w
ls that the archivist of the U.S., David Ferriero (a stand-up dude, as historian and blogger Maarja Krusten might say), sided with Naftali against Fawcett, who quickly retired and was offered a consultancy by Haldeman's operatives.
Before I was a frustrated pianist, I came to George Gershwin's thrilling jazz concerto, "Rhapsody in Blue," as an underachieving 11-year-old clarinetist. The piece begins with an almost impossible to believe two and a half-octave clarinet glissando blasting off from the F below middle C and bending slowly, in an aching blue note, toward a high B-flat. I can bend notes on an harmonica, but I never developed the embouchure of iron required to do it on the clarinet. I wish I'd practiced more.
The movie's titles, featuring Jacobs' and conductor Zubin Mehta's "Rhapsody" plus black and white images of the streets of the city, Central Park, Yankee Stadium, and fireworks over the East River, are exquisite; pretty much the high point of the movie. You can also get performances of the piece for solo piano, including this one by French pianist Vera Tsybakov.The arts are for all of us. They enrich our lives and add meaning and dimension to our daily experiences.True enough, now and in 1971, when Higby was adjutant to Richard Nixon's soon-to-be-disgraced chief of staff, H.R. Haldeman. But back then, in the midst of the Vietnam war, the only artistic meaning and dimension the White House cared about was whether the artist in question was pro or con. As documented in the Nixon library's new Watergate gallery and the on-line background available at the library's web site, Higby asked the FBI's J. Edgar Hoover to provide dirt about CBS's Daniel Schorr, participated in the notorious Jew-counting scandal, and facilitated the process by which counsel John Dean's enemies list made its way to a desk within a few feet of the Oval Office. Among other great and decent Americans enriching and adding meaning to our lives in that era and yet ending
up on the enemies list assembled for the president of the United States was none other than Leonard Bernstein.
As historians such as Rick Perlstein and Sam Tanenhaus mull the rightward progression of the GOP and conservatism from the age of Nixon to the age of Beck and Hannity, historian Maarja Krusten starts with her mother, a Nixon fan right through Watergate's bitter end, especially because of his foreign policy. Today, she doesn't watch Fox News, and she reasons that you can't balance the budget without more revenue. Her daughter concludes:Nixon was a moderate and a pragmatist. He was not a conservative. Nor were all his supporters. Did some Nixon voters later vote for Reagan and become Fox News fans? Absolutely. Yet there also were people such as my Mom. There’s a lot in the mix. As with all issues Nixonian, working through the motives and objectives requires discernment.Among other things, one discerns that moderates are dissed, devalued, and demoted. We don't have a cable station. Few if any Republicans would dare utter the word "moderate" without swearing or spitting. At first blush, we indeed appear to be a dwindling tribe. According to Gallup, the percentage of Americans identifying themselves as moderates has fallen from 43% to 35% since 1992. During the same period, self-identified conservatives increased from 36% to 40%, while the liberals edged up from 17% to 21%. That means we've lost 4% each on both ends of the spectrum, a symptom, Gallup says, of our increasingly polarized politics.
According to notes kept by his chief of staff, Bob Haldeman, on July 3, 1971 President Nixon let his suspicions about Jews and liberals in the civil service get the better of him. He believed they were purposely manipulating economic data to hurt his administration. Historian Maarja Krusten offers reflections on the politics of scapegoating (which comes from Torah, ironically enough -- Lev. 16:8,10):The segment [of notes] covered Nixon’s directive to Haldeman to have [White House operative Fred] Malek [shown below] check “sensitive areas,” uncover “Jewish cells,” and to put a “non-Jew in charge of each.” Haldeman, who occasionally dragged his feet on orders from Nixon, didn’t blink an eye. And so the Nixon White House sent Fred Malek off to count Jewish civil servants.Nixon may have been uncomfortable about some of the things recorded on his tapes or recorded in White House documents. I sympathize with that to some degree. His records were seized and the rules changed on him. But trying to take out th
e people at NARA who worked and still work with those materials only demonstrates the same acculturation that led Nixon and Haldeman to send Malek off to count Jews at BLS. Nixon didn’t like the way the bureau was handling the release of unemployment figures. Instead of directing James Hodgson, Secretary of Labor, to work through the timing issues, he went nuclear. And sent Malek off to do some things Malek and Haldeman should have resisted, in my view. This set up a situation where Malek later had to confront, or not, what he had done.
It was a classic example of not liking an outcome and personalizing the issue based on assumptions, rather than working out a rational and fact-based solution. Just like assuming Fred Graboske and his staff were biased against Nixon and trashing their reputations (“incompetent clerical level archivists.”). Or calling for Tim Naftali to find an Alger Hiss library to head, when he sought to put up an historically sound exhibit about “abuses of governmental power.” There couldn’t be a clearer demonstration of the management culture within the Nixon White House that resulted in those abuses than observing what NARA has faced since the 1980s.
With one award, I bought myself a pearl ring. Unfortunately, the pearl fell out of the setting while I was at work. It happened when I was working with some manuscript (Hollinger) boxes while the Nixon Project still was housed in Alexandria, Virginia. Maybe someday a researcher will open one of those gray boxes at the Nixon Presidential Library in Yorba Linda, California, and find it. An actual pearl to go along with the valuable nuggets of information in the expert care of Tim Naftali and his staff.