Showing posts with label Allen Weinstein. Show all posts
Showing posts with label Allen Weinstein. Show all posts

Monday, January 12, 2015

"Voice From The Past," Erased And Restored

From p. 1 of this morning's "Register"
Quoted in a Jan. 4 article in the Orange County Register, a Richard Nixon-Bob Haldeman operative claimed that the Nixon foundation, which I ran for 19 years beginning in 1990, had no role in naming Tim Naftali as the first federal Nixon library in 2006. Actually, Naftali's was the only name we submitted to the National Archives. NARA loved the idea -- he was a foreign policy scholar and an expert in secret presidential tapes -- and hired him within days of my phone call.

It wasn't the first time someone had written me out of the history of the Nixon wars. In their recently published book of White House tapes, Douglas Brinkley and Luke Nichter tried to erase one of mine by writing that Naftali's Yorba Linda appointment was "serendipitous," as if it had been a rare and wonderful example of immaculate bureaucratic conception.

This week, a more knowledgeable scholar, Anthony J. Clark, author of a forthcoming book about presidential libraries, The Last Campaign: How Presidents Rewrite History, Run for Posterity, and Enshrine Their Legacies, brought the Nixon operative's whopper to the attention of Register political reporter Martin Wisckol, who'd written the Jan. 4 article. Wisckol graciously modified the on-line text and e-mailed me questions for a follow-up column, which appeared today. Here's our complete exchange:

Can you tell me how you became aware of Naftali? I'm told the foundation brought him in to speak in May 2005. Were you involved in that decision or was that your first exposure to him? Also, [operative Ron] Walker told me this morning, "The (Nixon) girls were upset that they were never involved in the selection. I heard it from them." Care to respond to that?

If by "the girls," Walker means Mr. Nixon's daughters, I can't recall precisely whom I talked to among my Nixon foundation colleagues about Tim, but I consulted pretty widely, and people seemed to agree that he was a good fit because of his unique standing as a non-ideological Cold War scholar and an expert on presidential tapes. If Tim and President Nixon had ever had a chance to sit down and talk, I don't think they would have disagreed about very much. He might even have understood why, if his library was to be part of the federal system, it would probably be necessary to have speakers such as John Dean and a more thorough Watergate gallery.

I first met Tim when he and his boss at UVA's Miller Center, Philip Zelikow, later executive director of the Sept. 11 commission, reached out to me in the hope that Mr. Nixon's estate (of which I was co-executor) would enable them to have access to White House tapes that hadn't yet been opened to the public. I visited them in Charlottesville. That would've been in the early 2000s.  

Overall and when all was said and done, was Naftali an asset to the library?

Naftali meets the press
He proved to be indispensable. Tim showed that the library could welcome Nixon critics such as Bob Woodward and John Dean without the world coming to end. He also took on the harrowing assignment of installing the comprehensive Watergate exhibit that was a condition of the agreement whereby the government took over the library. Given the intense pressure placed on him by those now running Nixon's foundation who were outraged by the Dean invitation and wanted to stop the exhibit, I don't know if very many others in his position could have stayed the course and succeeded as he did. President Nixon prized toughness. Tim was tough indeed. Their campaign against a federal director -- ranging from disparaging him personally to enlisting Sen. [Lamar] Alexander to pressure Tim and filing FOIA requests so they could read his e-mails -- may be unprecedented in the history of presidential libraries.

Any regrets in recommending him? 

No.  

Was the Watergate exhibited far and unbiased? Were Naftali's efforts to present Nixon overall fair and unbiased?

The exhibit is an unblinking and comprehensive look at a dark chapter in American history and President Nixon's legacy. If the Nixon foundation had worked collegially with him, the exhibit might have ended up with softer corners. Instead, his critics guaranteed that the experts and media would be looking carefully to make sure the exhibit included warts and all, which it does.  

What do you think of Ron Walker and the Nixon daughters who felt that Naftali was unduly harsh and too focused on Nixon's shortcomings?

It was Tim's job to be focused on Nixon's shortcomings, because the archivist of the U.S. and the Nixon foundation agreed that he would have to create a Watergate exhibit. The then-archivist, Allen Weinstein, told Tim he wanted a thorough exhibit, and the government was paying for it.

Some people do continue to insist that Watergate was overblown, even that President Nixon did virtually no wrong. But every fifth grader knows (and I've asked a lot of them!) that Richard Nixon was the only president to resign and that he did so because of Watergate. When students visit the Nixon library, they see the great achievements as well -- China, detente, reorienting the Vietnam War, and President Nixon's pragmatic politics and domestic policies. What message would we send schoolchildren, not to mention the museum's other visitors, by minimizing what they already know is one of the most important events in modern political history?

No, thanks, Mark
The wiser course is to stipulate the tragedy of Watergate while focusing attention on Mr. Nixon's globe-transforming achievements and enduring principles. That's one reason President Nixon and we launched The Nixon Center in 1994. (Sadly, it is no longer allowed to use his name.)

As for the apparent continued attacks against Tim that you mention, it's obviously not just about him. The Nixon foundation successfully scuttled [University of Texas Vietnam scholar Mark Atwood] Lawrence's appointment because it wouldn't brook his criticism of President Nixon, either.

So now both the foundation and federal library are in the hands of chiefs, handpicked or anointed by Mr. Nixon's White House associates, with little apparent background in museum or archival work, academia, or national public policy. The question remains whether Yorba Linda will be a place where President Nixon and his tumultuous times can be explored and understood in all their dimensions or a hermetically-sealed bubble for loyalists. When those of us who knew and served him pass from the scene, the tapes and other records stored at the Nixon library will speak more loudly than our advocacy or self-defensiveness. The reason we brought the library into the federal system to begin with was so we could be part of that conversation, not muffle our ears.

Thursday, August 14, 2014

Serendipity Doo-Dah

It was a Cinderella story.

We dedicated the old, private Nixon library, where I served as director beginning in 1990, on an oppressively hot day that July. We had four presidents at the dedication ceremony, including Richard Nixon and the incumbent, George H. W. Bush. We threw a glittering fairy tale ball at the Century Plaza in Los Angeles with an open bar, attended by the noblest political hacks from every corner of the kingdom.

We called what we had constructed in Yorba Linda, around Nixon's humble birthplace, a presidential library. It had gleaming new galleries, shiny terrazzo floors, exquisite bathrooms, and a stately reading room for scholars.  It cost a then-princely sum of $25 million. The epic buildings and grounds definitely looked presidential. But the shoe didn't fit, because we were a stepchild, reaching for a birthright to which we weren't entitled.

It wasn't hard to see why. Within our heavily fortified walls, in all our 13 acres, there wasn't a presidential document to be found -- not a memo, a letter, a scribble, a tape, or even a tape gap. Someone claimed we had secret UFO records, which would've been useful if it were true. But Nixon's White House records, including the infamous secret tapes, were all back in Washington.

We opened an archive with pre-presidential records in 1991, but it didn't convince scholars that our hearts were pure. Besides, the phone book didn't say we were the Nixon pre-presidential library. As at all new libraries, our museum put the best face on our man's legacy. But unlike our better-heeled cousins, we couldn't say that scholars and the public could walk around the corner and get the straight story of Nixon's presidency in the records. To see those, people had to visit a National Archives and Records Administration (NARA) facility in Alexandria, Virginia or, later, College Park, Maryland.

We buried Mr. Nixon on the grounds in 1994, beside his first lady, who had died the year before. In the years that followed, as his co-executor I helped settle two pieces of federal litigation that had kept the Yorba Linda stepchild from joining the libraries which, beginning with Herbert Hoover's, are all run by NARA. One lawsuit had to do with access to Nixon's tapes, the other compensation for Congress's taking of all his White House records.

That done at last, we notified Uncle Sam that we were prepared to receive callers. But he was a reluctant suitor. For several years, the phone never rang on Saturday night. If you think I'm about to stretch the metaphor to include a dowry, you're right. We finally had to pay a lobbyist with ample Democratic bona fides $1 million to get legislation written in the House permitting NARA to ship Nixon's records out of Washington to Yorba Linda and paying for an archives wing for the documents, gifts, and tapes.

Along the way we withstood Nixon's fractious family (which torpedoed my first effort to federalize the library in 1996-97 because they thought, wrongly as it turned out, that there would be a bigger pot of gold if we kept fighting in court) and political hacks hanging around at court who were mad that we were paying big bucks to fancy Democratic lobbyists instead of good Nixon cloth coat lobbyists.

Finally, it all came together. By the spring of 2006, our courtship was on the brink of consummation. The glass slipper was tickling our toes. All we needed was a federal director -- somebody who was, frankly, not I. Archivist Allen Weinstein and his deputy, Sharon Fawcett, asked me for names. I gave them just one: Timothy Naftali, a Cold War scholar who had run a groundbreaking presidential tapes project at the University of Virginia's Miller Center. Within days, they'd offered him the job. In an article announcing the Naftali appointment, the LA Times' Christopher Goffard wrote:
John H. Taylor, executive director of the Richard Nixon Library & Birthplace Foundation, called Naftali "an independent-minded straight shooter" and "an ideal choice" for the job.

Taylor said Naftali's work with presidential recordings was particularly relevant, because the National Archives plans to transfer nearly 4,000 hours of Nixon's presidential tapes to the library, many of which are difficult to hear.
Tim meets the press
After we handed the library over to the feds in 2007, I remained as Nixon foundation chief. Though friends now, Tim and I had our ups and downs. When I complained about Tim to Allen Weinstein, he reminded me that Naftali had been my idea. When I complained to Naftali, he reminded me that I'd asked him to take the job. Weinstein compared us to squabbling brothers. Our skirmishes were trivial compared to the systematic although impotent assault that the John Dean-hating disciples of disgraced Nixon aide Bob Haldeman mounted against Naftali to try to stop his new Watergate exhibit, which opened in 2011.

I left the library in 2009, pleased, at least, that it was safely in federal hands. I never expected anyone to celebrate my years in Yorba Linda. Tim and I both are here to say that if you want to make friends, don't be director of Nixon's library. My able successor at the Nixon foundation, former Nixon chief of staff Kathy O'Connor, who also ran afoul of the good old Haldeman boys, can sympathize.

And yet I write today to battle for my footnote in Nixon library history. Two weeks ago, from their publicist at Houghton Mifflin Harcourt, I received a complimentary copy of The Nixon Tapes by Douglas Brinkley and Luke A. Nichter. Their 758-page book of transcripts is a vital addition to the Nixon bibliography. In the acknowledgements, the authors mention Naftali's work with presidential recordings at the Miller Center and then write:
[S]o it was serendipitous that the National Archives selected him in 2006 to be the first director of the federalized Richard Nixon Presidential Library...
Serendipity is chance, accident, or coincidence. Naftali's appointment was none of these, and saying it was not only obscures my role, incidental though it may have been, but also suggests that the then-archivist of the U.S., no mean scholar himself, had blundered into a smart pick, like Percy Spencer's accidental discovery of the microwave oven.

I actually thought that this was a small thing among gentlemen of the realm. I have a passing acquaintance with Brinkley. He reached out to me when it seemed the Nixon estate might be in the position to help with access to the tapes. I've also known Nichter for several years. I admired his efforts to make the Nixon tapes more broadly available to the public. We had lunch a few months ago. Last week in Washington, he graciously acknowledged the NARA archivists who faithfully cared for and processed the Nixon records while absorbing undeserved, politically inspired criticism, including from those of us on the Nixon side.

So I wrote them both an e-mail praising their work but saying that I felt as though I'd been written out of the story. I asked that they alter the wording in subsequent editions. I didn't suggest how that might be done, but as I look at their phantasmagorical sentence, it seems to me that just changing "serendipitous" to "appropriate" would do it.

Brinkley didn't reply, but Nichter did. Rejecting my claim, he plunged his lance in deep. "This is the first book of its kind," he wrote. "We expected that one of the criticisms we would get is that we didn't do enough in some shape or form. That often happens to those who are trying to start an entirely new conversation." So I'm not only out of line with my request. I'm nipping predictably at the heels of courageous visionaries. It's after midnight, anyway. I'll just head back to my pumpkin.

Tuesday, May 1, 2012

Friendly Fire

Tim Naftali, the former director of the Nixon library, has enough of secular outlook that he didn't know (or perhaps jokingly claimed not to) that he had inherited his surname from one of Jacob's fractious sons. Still, his Yorba Linda years comprised a wilderness experience of Hebrew Testament proportions. As he sometimes reminded me, I was the one who first beckoned him into the trackless wastes. I also helped give him his toughest challenge: Replacing the private library's relentlessly pro-Nixon Watergate exhibit. I'm sorry about the times I made his work unnecessarily difficult and grateful that he beat disgraced Nixon chief of staff Bob Haldeman's boys and finished what history had called him to do.

No public historian since the Enola Gay controversy at the Smithsonian Institution had a harder challenge. He was uniquely qualified for it. He was a highly regarded, non-ideological scholar of Nixon's defining crisis, the Cold War. A few years before he came to Yorba Linda, Tim and I had worked together a little on presidential tapes, by which Nixon's historical reputation is utterly bound and tied, for better and worse. Tim wasn't a Nixon booster, and I think he ended up deeply discouraged about Nixon's character as a result of his forced curatorial march through the Watergate swamp. Yet he and the last elected moderate Republican president would have disagreed on relatively few domestic or foreign policy issues. Perhaps most important given the odds he faced, he displayed the quality Nixon prized most of all. It turns out that Tim Naftali was tough as hell.

The archivist of the U.S., Allen Weinstein, was so excited by the idea of making Tim our first federal director (the library opened in 1990 as a private institution) that he offered him the job a few days after my call. When things were going well at the library, Weinstein would stress that Tim was his man. When things got rocky, he'd remind me that it had all been my idea. Tim and I labored together for over three years, rarely disagreeing about substance but having a series of pitched battles about Tim's independence vs. the Nixon foundation's right to be consulted on exhibits and programs, space use on our shared campus, and even Tim's lower-case library logo, which he thought invoked the '60s and '70s, when Nixon was president, but we thought unstatesmanlike.

We got important work done anyway. I permitted him to open foundation-owned records to scholars and funded his oral history interviews with Nixon policy heavyweights and White House operatives. Our disagreements never became public nor interfered materially with our shared mission of establishing the federal Nixon library as the successor of a private museum and archive that had earned something of a reputation of partisanship (which, if it was a fair criticism, was no one's fault but mine). Tim's bosses at the National Archives fully embraced the same mission -- Weinstein, of course, and his deputy Sharon Fawcett, who had both worked hard to bring Nixon's library in from the cold.

Having bargained with them for hundreds of hours to launch the federal library, Kathy O'Connor (shown here with Fawcett), Nixon's longtime aide and last chief of staff, and I would sometimes call or write Weinstein and Fawcett to complain about Tim. We never got anywhere. They backed him unequivocally. The most I could pry out of the avuncular Weinstein was his theory that Tim and I were brothers at heart who clashed because of unacknowledged similarities in temperament and outlook. After we each had stated our grievances, he would smile and send us back to Yorba Linda to work it out. While I never fully accepted that I was Dan to Tim's Naphtali, Kathy and I both loved Tim's mother, Marjorie, a delightful Anglican from his home town of Montreal (Tim's late father, a builder, was Jewish). One problem may have been that I was having trouble letting go after spending two decades planning and running the library. By the same token, we felt that Tim, in his actions and public statements, was trying too hard to put distance between himself and the ancien regime, namely us. We didn't become close until I left to begin full-time ministry in February 2009, which, now that I think about it, is often the way with siblings.

Thanks to Kathy, my able successor as head of the Nixon foundation, relations with Naftali and NARA quickly improved. But her journey toward the promised land of happier collaborations with our federal colleagues was interrupted and cruelly ended by the Haldeman renaissance. After Tim invited Nixon White House counsel John Dean to give a speech in June 2009, Nixon's White House and CREEP aides (including some involved in Watergate or Watergate-related activities) and their friends, thanks to enablers on the foundation board, surged to positions of influence or even fiduciary authority.

They were wrong about Dean's appearance, which was inevitable and also appropriate as part of the library's transition to public control. The self-described lynchpin of Watergate, he is pivotal historical figure. Tim and we had already played host to Watergate reporter Carl Bernstein. Bob Woodward visited in 2011 without incident or controversy. The actions of Haldeman's acolytes weren't based on what was best for the library, the public, or Nixon's reputation. They lashed out because they despised Dean for helping send fellow operatives to jail for Watergate crimes and then grasped for power because they believed it was their right and their turn. As Naftali told the Los Angeles Times, "It's a very special tribe that has never accepted the nation's verdict on Watergate."

By the fall of 2009, Tim had been at work for two years on the library's new Watergate exhibit, which Weinstein and Fawcett had ordered him to undertake, also at my suggestion. It was part of complex deal in which the feds paid millions to build an archives wing for Nixon's vast collection and agreed to take over the library in May 2007 and move the records from College Park, Maryland. Shaking hands with our federal partners, we and the Nixon foundation board had promised both our acquiescence in an exhibit that would be acceptable to historians and in library-controlled public programming, including appearances by Nixon critics.

But once under the control of Haldeman's tribe, Nixon's foundation broke its promises. Most of their harsh if ultimately impotent actions are part of the public record. They denounced Naftali publicly for inviting Dean. An operative wrote on the foundation web site that he should go run a museum for traitor Alger Hiss. They recruited Sen. Lamar Alexander (right), a former Nixon aide, to put a secret hold on the nomination of a new U.S. archivist to pressure or get rid of Naftali. They assembled a Watergate truth squad including convicted perjurer Dwight Chapin and attacked Tim's Watergate exhibit draft, calling for friendlier treatment of Haldeman and trying to prevent the public from seeing videotape in which operatives discussed dirty tricks and counting Jews in the federal government. A former foundation employee who'd opposed the NARA handover wrote a column associating Tim with "the left." Another operative filed a FOIA request to read Tim's e-mails. Yet another accused him publicly of sending coded signals about his sexual orientation. His wife publicly accused Tim of leaking prejudicial Nixon tapes to the media.

When Tim offered one of Nixon's daughters a tour of the library's new quarters, she accepted only to denounce him in front of her fellow foundation leaders and demand that he leave. He was shocked that his adversaries had gone that far. As I had learned over a decade before, when Nixon put me instead of his family in charge of his estate, the withdrawal of the favor of political offspring is a powerful weapon. Lucky for Tim, it's not quite as potent when the taxpayers rather than the offspring are paying your salary. Though the massive assault on his professionalism and character must've been upsetting and sometimes dispiriting, it can't help but have reassured Tim that he was on the right track.

Besides, his colleagues at NARA must've had his back. Officials in Washington and around the country, especially at other libraries, had to be aware of what he was up against as he did the difficult job the archivist of the U.S. had given him. When all Nixon's men went to war against a federal director in the last battle of Watergate, the blue coats would obviously know where their loyalties belonged.

Not so much, astonishingly. At some point, the Weinstein-Fawcett hard line weakened. After the public learned of the Haldeman truth squad's critique in the late summer of 2010, there were signals from Washington that it was receiving a respectful review. That's right: The National Archives, custodian of documents signed by Thomas Jefferson, was paying serious attention to a Watergate narrative co-signed by Dwight Chapin.

And it gets worse. I remembered Weinstein and Fawcett's stony imperviousness to Kathy's and my minor complaints as I read historian Maarja Krusten's reference to Tim being cussed out not by a Haldeman operative or Nixon family member but by one of his fellow presidential library directors. Someone had figured out how to reach deep into the government and enlist a taxpayer-paid NARA official for a flanking attack on Tim Naftali. Which director was it? What was the official trying to accomplish? Was it part of an effort to get Naftali out of the Nixon library or alter the content of the Watergate exhibit? Did top NARA officials know about or sanction it?

It's hard to imagine Barack Obama's new archivist, David Ferriero, doing so, especially after the senior senator from Tennessee held up his nomination. Besides, I agree with Krusten that he's a stand-up dude. As for Fawcett, I'd always found her to be a straight shooter. But we know from press reports late last year that she'd sided against Naftali and that the Nixon foundation offered her a consultancy after her retirement. All the library directors, including the one who dissed Tim, had reported to her. It's also important to know if Haldeman's operatives played a role. In 2009, the Nixon foundation tried unsuccessfully to get the other presidential foundations to join it against Naftali. Lamar Alexander isn't the only current or recently serving government official with ties to the Haldeman clique.

However it happened, a federal official with a six-figure salary was carrying Watergate for Nixon's men. Maybe this inside move against Naftali was just further proof (as if it were needed) of the wisdom of the scriptwriter who put the words "follow the money" in Watergate leaker Mark Felt's mouth in "All the President's Men." Krusten writes that the director told Naftali, "You're going to ruin it for the rest of us." Perhaps he was speaking on behalf of cash-strapped presidential libraries from Simi Valley to Boston, where private foundation money can still buy a considerable amount of hagiography for the entertainment of credulous museum-goers. Too many balanced and thorough museum exhibits -- torture, Monica Lewinsky, Iran-contra -- and the gravy train might dry up as ex-presidents' rich friends tire of underwriting an undesirable degree of objectivity. For creating (and in March 2011 successfully opening) the Watergate exhibit that his bosses and historians had demanded and that the public deserved instead of the one Dwight Chapin wanted, Tim Naftali had become the ultimate skunk in the Rose Garden.

Monday, February 20, 2012

An Historian Errs On The Nixon Library

Former Nixon archivist Maarja Krusten raises questions about historian Benjamin Hufbauer's review in a scholarly journal of the Nixon library's Watergate exhibit, particularly the transfer of the private library to the National Archives. We first tried to get the library into NARA in 1995-6, not 2005, as Hufbauer writes. This passage in his review is especially egregious:
[M]embers of the foundation thought they could still have a shrine to Nixon but have the government pay for it. They were wrong. In 2006 when NARA took over, the newly installed Archivist of the United States, Allen Weinstein, personally recruited Timothy Naftali to be the first director of the Nixon Library under federal management. Naftali and Weinstein agreed that the primary goal for the museum would be a detailed and historically accurate account of the Watergate events.
It is Hufbauer who is wrong. As library director and Richard Nixon's co-executor, I conducted the negotiations with NARA along with Kathy O'Connor, Nixon's last chief of staff. Before the handover, we agreed that the Watergate exhibit would be replaced. For the first federal director, I recommended one name to deputy archivist Sharon Fawcett: Tim Naftali, Cold War historian and presidential tapes expert. Within days, she'd placed a call inviting him to be considered. Archivist Allen Weinstein told me later that my idea had been brilliant and that the same notion "had occurred to me."

After Naftali was named, I suggested to Fawcett and Weinstein, and they agreed, that Naftali should redo the Watergate exhibit rather than our trying to design one that would be acceptable to the government. Before NARA had even taken possession of the museum, Natftali asked my permission to tear out the old exhibit, which I granted.

Hufbauer's account was apparently informed solely by the Bob Haldeman revanchists who took over Nixon's foundation in the fall of 2009 after Naftali invited John Dean to give a speech (see here, here, and here), who battled him relentlessly over the Watergate exhibit, but who had no involvement in the handover negotiations with NARA.

Thanks to my sister blogger Maarja for sending me the article.

Photos: Nixon library handover ceremony, 2007: (f) Foundation chairman Don Bendetti and Archivist of the U.S. Weinstein; (b) Fawcett, Taylor, Naftali, and O'Connor. Right: Naftali and O'Connor

Thursday, March 31, 2011

The Naftali Doctrine

That's Kathy O'Connor, President Nixon's last chief of staff, with his brother Edward and our Nixon foundation friend Ric Leczel this morning after ceremonies marking the opening of the new Watergate gallery at the Nixon library.

Ed was stooping to stay in the frame. The Watergate opening is standing tall as a national story. Follow the links to the LA Times (Chris Goffard's first take), Orange County Register, Associated Press, USA Today, Washington Post, and ABC News -- where, if the story makes the evening news, it will be introduced or reported by former Nixon aide Diane Sawyer. The AP's Michael Blood favored me with a quotation as follows:

John Taylor, who worked for Nixon after he left the White House and helped design the original exhibit, said it was difficult for those who revere Nixon to deal with Watergate. He said the content in the new exhibit made him uncomfortable but with the passage of time, "you can hear the truth, you can accept the truth and you can learn from the truth."

"In the next 50 years America is going to answer the question, what is the sentence that goes with Mr. Nixon?" Taylor said. "Is it, he went to China, or that he quit? For that to be a fair dialogue, this day had to happen."

Kathy and I went to work trying to get the private Nixon library into the federal system in the mid-1990s. Nixon family members desiring a richer settlement from a lawsuit torpedoed our first effort in 1996-97. We finally succeeded in 2007 -- well, we plus $1 million for some blue-chip lobbyists.

That still left the matter of our polemical 1990 Watergate gallery, which had outlived its usefulness, as often happens at first-generation presidential museums that have to grapple with unpleasant or controversial events. Today's unveiling of a stunningly presented, federally anointed replacement was a tribute to Cold War historian and exhibit curator Tim Naftali as well as to two archivists of the U.S., Allen Weinstein (shown signing the handover papers in 2007) and David Ferriero. Ferriero in particular withstood considerable pressure from the Nixon-Bob Haldeman aides who took control of Nixon's foundation as Naftali was conducting his painstaking work.

At today's ceremony, attended by 200 federal library staffers and loyal volunteers (that's Kathy with docents Connie Mesko and Gloria Norton), both Ferriero and his deputy, Sharon Fawcett, amply praised Naftali's professionalism and integrity. Kathy and I were especially pleased to hear that, having gotten him into these often treacherous straits in the first place. Today's mountaintop moment after two difficult years had Naftali waxing prophetic in his eloquent prepared remarks, praising the durability of the U.S. system when one of the three branches abuses its power and suggesting that all presidential libraries should exhibit curatorial as well as archival integrity and openness.

While the Naftali doctrine should be given close attention by Ferriero and his colleagues whenever principles of good practice at presidential libraries are discussed, the structural difficulty with his approach is that a president's rich friends won't contribute millions to see a warts-and-all museum or indeed wart one. Read more about libraries and money here. Until now, NARA has put up with a generation or two of museum hagiography in exchange for warehouses for storing millions of pages of memos and letters as well as photos, gifts, and other artifacts. Now that the vital records of an eight-year administration can be stored on a few MacBooks, will presidential libraries persist? Tune in in two years or six. If there is an Obama library and museum, you can bet that Roger Ailes and Sean Hannity will be howling for curatorial integrity and openness as strenuously as any Nixon critic ever did.

While I have a pretty good idea what's in the Watergate gallery thanks to the background at nixonlibrary.gov, I look forward to spending a quiet afternoon with the massive interactive exhibit, walking that long, hard road with 37. I'll be especially interested to learn who won the argument between Naftali and Nixon's White House men over whether the museum-going, taxpaying public has been permitted to hear substantial excerpts from oral history interviews with Naftali in which Dwight Chapin, Fred Malek, and others discuss dirty tricks, counting Jews in the Bureau of Labor Statistics, and other discouraging moments from an era when a peace-making, partisan warrior of president, caught in the maelstrom of a war he didn't start, mediated between his dreams and demons.

In any event, it was high time for the Nixon library, now in its 21st year, to grow up and accept that the judgment of history, no matter how it comes out for Nixon, lies beyond the reach of advocacy by family, friends, consultants, and especially those whose own reputations hang in the balance alongside the president they served, often honorably but sometimes, as this new exhibit shows, not.
Above photo, showing Nixon library director Tim Naftali briefing the media on the Watergate gallery, is by Jebb Harris of the Orange County Register.

Wednesday, March 30, 2011

Naftali Is Not The New Graboske

Tomorrow's opening of a new Watergate exhibit at the Nixon library in Yorba Linda should bring to an end a generation of courtroom and backroom wrangling over the residue of modern history's most comprehensive political scandal. In the 1980s, the argument was about what scholars and researchers would see in the archives instead of what the public would see in presidential museums. But in both cases, the same principle may well hold. Full disclosure for Nixon might end up facilitating full disclosure for his successors, and what prudent president would want that?

In the late 1980s, historian Maarja Krusten (shown below) was part of a team at the National Archives headed by Fred Graboske that prepared Nixon's White House tapes to be opened to the public. As they finished their work, NARA was under pressure from President Nixon and his lawyers (I was then his chief of staff) to slow down the process. Our argument was that, new laws and regulations notwithstanding, Nixon had a moral right to expect his materials to be handled more or less like those of predecessors such as Kennedy and Johnson, whose more controversial records, including tapes, remained under tight family control.

We were fighting a losing battle. Most in the federal government, the media, and academe seemed to believe that Watergate, Nixon's resignation, and congressional action had made him sui generis when it came to how his records would be processed.

That all changed in 1989 in the George H. W. Bush administration under archivist of the U.S. Don Wilson and his presidential libraries deputy, John Fawcett, a veteran of the LBJ library in Austin. We were assured that Nixon did deserve some grace after all, that the new laws and regulations actually did permit him to have something approximating the latitude that pre-reform presidents and their families enjoyed when it came to his most sensitive and controversial records.

To say that we were pleased is an understatement. And yet in politics, good news for one person is almost always bad news for someone else. The government's policy change had come at an awkward time, since Graboske's team had completed its work on the tapes, the most explosive records of all. You can study the nuances at Krusten's blog, NixoNARA, but the upshot seems to be that rather than saying to the award-winning Graboske and his colleagues that they'd done well but that the brass had decided to put the tapes back on a shelf for a decent interval, NARA officials decided the tapes needed to be re-reviewed. In other words, the tape review team, it was suggested, had done an inadequate job.

A few years later, after University of Wisconsin professor Stanley Kutler had sued Nixon and NARA to pry loose additional so-called abuse of power tapes that processors had identified, court proceedings as analyzed by Krusten show that the government wasn't entirely on the government's side:
Not only did the government not admit in 1992 that it had considered the Graobske-era processing final, despite contemporaneous documents showing it repeatedly used that term, lawyers working for the George H. W. Bush Department of Justice (DOJ) made selective use in their pleadings of information gathered in the discovery phase of the litigation. They rarely if ever quoted witnesses such as I, who had stated under oath that Graboske displayed no prejudice or bias against Nixon and never had said the president “has no privacy.”
Looking back, I've found it astonishing how solicitous the first Bush administration was toward 37, who had almost no policy or political leverage outside of his trademark issue of foreign policy. I doubt that it was an act of friendship by an incumbent to a former, since the Nixon-Bush relationship struck me as cordial but cool. Another possibility -- and here is where journalists and historians must go where bloggers rarely tread -- is whether the Bush administration had come to the natural-enough conclusion that slowing down the train delivering former President Nixon's records to scholars might have been a helpful precedent for future formers.

If so, the records battle was finally lost (or won, depending on one's perspective). We settled the Kutler lawsuit after Nixon's death in 1994, paving the way for the tapes to be opened by the early 2000s (they'll finally be entirely open in 2012). Presidential records are now managed according to congressional and agency mandates, and while there will always be judgment calls and controversies, the process has been largely regularized for presidents both Republican and Democratic.

But that still leaves the curatorial side of presidential libraries' work and the possible perceived precedent of the no-holds-barred Watergate exhibit that former archivist of the U.S. Allen Weinstein commissioned from the first federal director of the Nixon library, Cold War scholar Tim Naftali. In 2009, the Nixon foundation approached the other private library foundations and tried to get them to criticize Nixon's federal director for inviting Watergate figure John Dean to give a speech. The obvious intent was to panic friends of other formers into thinking that Uncle Sam's John Dean event in Yorba Linda presaged a keynote by special prosecutor Ken Starr in Little Rock and other post-White House horrors. As Naftali proceeded with planning the Watergate exhibit, did those controlling Nixon's foundation try yet again to rally the post-presidential faithful by raising fearful specters of worst-case museum cases: Displays featuring Monica's dress at Clinton, even more room for Iran-contra (a worse scandal than Watergate, some believe) at Reagan, and alleged Bush-Cheney torture policies at Texas's newest presidential library?

If so, then one can imagine that considerable pressure may have been brought to bear on Naftali over the last couple of years. But at least we can say that he's not the new Graboske, because the exhibit's opening tomorrow.

Wednesday, December 22, 2010

Fingers In The Watergate Dike

In 2005, as we prepared to hand the Nixon library over to the federal government, I suggested to Archivist of the United States Allen Weinstein that he consider a brilliant Cold War scholar, Tim Naftali, as our first federal director.

For one thing, Naftali (shown here giving Richard Nixon's last chief of staff, Kathy O'Connor, a tour of the library's breathtaking "Treasures from the Vault" exhibition) had done state-of-the-art work with secret Kennedy and Johnson tapes while at the University of Virginia's Miller Center. Tapes would be something of which the Nixon library would have an abundance.

Weinstein said that the same thought had occurred to him and gave Naftali the director's job. Within months, I'd essentially given him a less enviable one: Watergate expert-in-chief.

As part of our negotiations with NARA, the Nixon foundation had agreed to redo our Watergate gallery. In the spring of 2006, with Naftali on board, I told Weinstein's deputy, Sharon Fawcett, that it would make more sense for NARA to design the new exhibit itself. My view was and remains that while Nixon's reputation as a peacemaker and domestic policy pragmatist will outweigh the burden of Watergate, the scandal's story has to be fully told and understood before any balanced assessment of his vast legacy is possible.

And who better to do it than the government's new historian-director? Fawcett quickly and enthusiastically agreed, and in May 2006 I handed our work product over to Tim. After conducting extensive interviews with key Watergate players -- one of whom, Dwight Chapin (right), makes an especially startling claim about Nixon's personal involvement in 1972 campaign dirty tricks -- Naftali had the exhibit ready to install this year, only to come under attack from White House friends of Chapin who now control Nixon's foundation.

Former NARA tapes expert Maarja Krusten reviews the matter here and poses an apt if direct question:

By agreeing that the federal government would put up a replacement exhibit after it established a NARA administered library at Yorba Linda in 2007, the Foundation made a commitment to the National Archives. What is unclear is the extent to which it considered that NARA operates under a statute that requires it to reveal “the full truth” about “governmental abuses of power."

Well, I certainly did -- and remember, we passed the torch of curatorial responsibility from the private to the federal Nixon library in 2006. Again, we trusted that Nixon's reputation would withstand even the deluge of Watergate. NARA's statutory responsibility notwithstanding, those who really care about his legacy don't help matters by trying to keep their finger in the dike. But, of course, there are other reputations at stake besides Nixon's.