We'll actually have one more meeting of "Exploring Sacred Art," this Saturday at the Getty Center in Los Angeles. Our classroom work ended tonight with Gary's analysis of a work by a local artist, Charles Frazee, professor emeritus of religion and church history at Cal State Fullerton and the Episcopal Theological School at Claremont. In 2009, I acquired this icon which Charlie painted of our chur
ch's patron, John Chrysostom, the fifth century archbishop, preacher (hence his Greek sobriquet meaning "golden throat"), and courageous reformer.The late Walter Annenberg (with whom I actually spoke the very week he bid successfully for "At the Lapin Agile") and the Getty had to reveal what they paid at auction for their Renoirs and van Goghs, but I shan't. That's between Charlie and me, as is the five-point ID question I missed on his final when I was in seminary 13 years ago. I barely remember. Okay, it was the Shepherd of Hermas. The Annenberg name-drop was a compensatory defensive gesture.



