Showing posts with label Washington National Cathedral. Show all posts
Showing posts with label Washington National Cathedral. Show all posts

Thursday, August 2, 2012

New Modes Of A Great Tradition

Gary Hall, the new dean of Washington National Cathedral, on Episcopal future:
[I]f the Episcopal Church is to thrive in the 21st century, it must do three things. It must develop a clear, missional identity. It must project that identity outward and invite people into it. And it must take seriously the needs and concerns of those who come toward us and adapt to the new life and energy they bring.

Does that mean that we will no longer continue to worship in our stately Anglican ways? Of course not. But it does mean that we will need to find new modes of liturgical, musical, and theological expression to complement the great traditional strengths we already have. And this is not new behavior for Anglicans. Queen Elizabeth I forged a pragmatic consensus between Catholics and Protestants in 1559. Bishop William White of Pennsylvania led the first General Convention of the Episcopal Church to a uniquely American way of governance in 1789. The church opened itself up to the sacramental ministries of women bishops, priests and deacons in 1976. We have always been a pragmatic, evolving tradition.

Hat tip to Rich Straton

Tuesday, July 31, 2012

Halling Off To Washington


During the 1980s one of the joys of going to All Saints Episcopal Church in Pasadena along with my mother, Jean Taylor Lescoe, a longtime congregant and former vestry member, was the preaching and teaching of its senior associate rector, the Rev. Canon Gary Hall, who's just been called as dean of Washington National Cathedral. (The Washington Post's coverage is here.)

In this video, he discusses his Hollywood roots, progress of ministry, and most recent work as rector of Christ Church Cranbrook in the Romney family's home town of Bloomfield Hills, Michigan.

Saturday, July 7, 2012

Limning Some Historic Limestone

From our diocese's daily e-mail from The Episcopal Church's triennial General Convention in Indianapolis, we learn that Bishop Suffragan Mary Douglas Glasspool is combining theology with geology:
Having arrived Monday night, I left the hotel early Tuesday morning to go for a run. The J.W. Marriott Hotel, where the Los Angeles deputation is staying, is adjacent to White River State Park, a lovely area that encompasses the Indianapolis Zoo, White River Gardens, and a limestone walkway along the (you guessed it) White River. As I was running on the walkway, I suddenly noticed several carvings and inscriptions in the wall that borders the walkway and one struck a chord of recognition: the Washington National Cathedral! For 24 hours I puzzled over why the Washington National Cathedral should have a place alongside the Indiana State Capitol Building and the Empire State Building, and it finally occurred to me (duh!) that perhaps our National Cathedral was built out of Indiana limestone. I checked out this supposition with the Bishop of Washington, Mariann Budde, and found that to be the case. Mystery solved!
Photo by Bishop Mary

Wednesday, April 18, 2012

And Touched The Fascia Of God

Via Geoff Chester at the U.S. Naval Observatory, a view of STS Discovery during its final flight on Tuesday, which took it past Washington National Cathedral.

Friday, January 13, 2012

Live Or Die?

On Sept. 14, 2001 at Washington National Cathedral, an Episcopal installation, President Bush's national security adviser, Condi Rice, was inspired by an apt departure from The Hymnal 1982. As she writes in her memoir, No Higher Honor:
I am the daughter of a Presbyterian minister, and my mother was a church organist. Music has been at the center of my life since I was born. I cannot to this day sing "O God Our Help in Ages Past," without flashing back to National Cathedral. I focused on the music and the extraordinary words of our great national songs. What had begun as a day of sadness ended, for me, with a sense of rising defiance. The last hymn was "The Battle Hymn of the Republic." The original words of the Civil War hymn had been "As he died to make men holy, let us die to make men free." Over the years congregations (hoping not to sound offensive, I guess) had changed the words to "As he died to make men holy, let us live to make men free." Much to my surprise, we sang the original version. As the military choir sang the climatic "Amen, Amen," I could feel my own spirit renewed. We'd mourned the dead. Now it was time to defend the country.

Thursday, September 2, 2010

Three Watergates

James Lipton called "Two Cathedrals," the last episode of the second season (2:22 to the scripturally minded) of "The West Wing," the best hour of television ever produced. His benediction is far above my poor power to add or detract. I've already waxed goofy about the last five minutes, when Josiah Bartlett (Martin Sheen, above) receives a cleansing civic baptism while Mark Knopfler hymns on his electric guitar.

Episcopal bones tingle during the scenes in Washington National Cathedral, especially the way the young crucifer and candle-bearers move in perfect, reverential unison -- almost as good as at St. John's! Scriptwriter and series creator Aaron Sorkin makes a complete muck of the funeral liturgy for the president's beloved secretary, Delores Landingham. Ending with the prayer of St. Francis? I don't think so.

As for the Nixon resonances, the whole episode's a learn-from-Watergate, it's-the-coverup-that-kills-you allegory. On learning several episodes before that President Bartlett has been concealing his MS for years, aide Toby Ziegler demands that Bartlett consult his anti-John Dean of a White House counsel, Oliver Babish, who instantly puts the sullen if pliable president on the road to full disclosure, special prosecutor, the works.

Thus will Bartlett survive to run again, though his misdeeds are far more egregious and systematic than Nixon's. I can't tell you the number of people who've said to me over the years, "If only Nixon would have admitted what he did, he'd have survived." Of course unlike Bartlett, who submits to Babish's will, and his principled aides, the stubbornly unrepentant Nixon was surrounded by a considerable number of felons and liars who made matters fatally worse.

It would've been nice to try it Bartlett's way, though, and as a matter of fact, I did, too. In 1989 I published a novel, Patterns of Abuse, that amounted to an anti-Watergate in which a Democratic president breaks the law in the service of national security only to have the scandal manipulated for partisan purposes by a scheming Republican editor of the Washington Post. My president lets it all hang out, too.

It sold dozens of copies (some of which are still rattling around). Published on exactly the same day by the same now-defunct house, Wynwood Press, was the first edition of a novel I like to call A Time To Kill by John Grisham. Our editor, a publishing and agenting legend, Bill Thompson -- who helped get Elmore Leonard his first bestseller, Glitz, and also edited Nixon's book No More Vietnams -- discovered Stephen King in addition to Grisham. Two out of three ain't bad!

Bill now helps authors treat their ailing manuscripts. There's a writing doctor in WW 2:22 as well, namely Lawrence K. Altman, M.D., who recently retired as the New York Times medical correspondent. Bartlett's press secretary, C. J. Cregg, puts him in the front row at a press conference in the vain hope that Bartlett will call on him first for a softball about his health rather than the dreaded question about his reelection plans.

I always thought the part was played by Altman himself, but when I said so on YouTube, I was gently corrected by a woman in Washington who said it was her late husband, a veteran character actor. I regret that I can't find his name. He played someone whom Nixon had admired for outstanding coverage of his near-fatal brush with phlebitis during 1974-75, when his critics unfairly accused him of being a faker to avoid coming to Washington to visit with the all-too-real special prosecutor.

Thursday, November 27, 2008

Where Did We Put Those Newcomer Cards?

The Washington Post's Sally Quinn says the church-shopping Obamas should go Episcopal -- specifically Washington National Cathedral, because of its inclusiveness:
The first black bishop of the Episcopal Diocese of Washington, John Walker, presided there. Bishop Katharine Jefferts Schori, the first female presiding bishop in the Episcopal Church, was inducted there. And Episcopal Bishop Gene Robinson of the Diocese of New Hampshire was the first openly gay bishop in Christendom.

"We are a place that welcomes people of all faiths and no faith," says [Cathedral Dean the Very Rev. Sam] Lloyd, echoing Barack Obama's words of two years ago. "Whatever we once were," Obama said then, "we're no longer just a Christian nation. At least not just. We are also a Jewish nation, a Muslim nation and a Buddhist nation and a Hindu nation and a nation of nonbelievers."