Showing posts with label Mark Knopfler. Show all posts
Showing posts with label Mark Knopfler. Show all posts

Thursday, September 2, 2010

Three Watergates

James Lipton called "Two Cathedrals," the last episode of the second season (2:22 to the scripturally minded) of "The West Wing," the best hour of television ever produced. His benediction is far above my poor power to add or detract. I've already waxed goofy about the last five minutes, when Josiah Bartlett (Martin Sheen, above) receives a cleansing civic baptism while Mark Knopfler hymns on his electric guitar.

Episcopal bones tingle during the scenes in Washington National Cathedral, especially the way the young crucifer and candle-bearers move in perfect, reverential unison -- almost as good as at St. John's! Scriptwriter and series creator Aaron Sorkin makes a complete muck of the funeral liturgy for the president's beloved secretary, Delores Landingham. Ending with the prayer of St. Francis? I don't think so.

As for the Nixon resonances, the whole episode's a learn-from-Watergate, it's-the-coverup-that-kills-you allegory. On learning several episodes before that President Bartlett has been concealing his MS for years, aide Toby Ziegler demands that Bartlett consult his anti-John Dean of a White House counsel, Oliver Babish, who instantly puts the sullen if pliable president on the road to full disclosure, special prosecutor, the works.

Thus will Bartlett survive to run again, though his misdeeds are far more egregious and systematic than Nixon's. I can't tell you the number of people who've said to me over the years, "If only Nixon would have admitted what he did, he'd have survived." Of course unlike Bartlett, who submits to Babish's will, and his principled aides, the stubbornly unrepentant Nixon was surrounded by a considerable number of felons and liars who made matters fatally worse.

It would've been nice to try it Bartlett's way, though, and as a matter of fact, I did, too. In 1989 I published a novel, Patterns of Abuse, that amounted to an anti-Watergate in which a Democratic president breaks the law in the service of national security only to have the scandal manipulated for partisan purposes by a scheming Republican editor of the Washington Post. My president lets it all hang out, too.

It sold dozens of copies (some of which are still rattling around). Published on exactly the same day by the same now-defunct house, Wynwood Press, was the first edition of a novel I like to call A Time To Kill by John Grisham. Our editor, a publishing and agenting legend, Bill Thompson -- who helped get Elmore Leonard his first bestseller, Glitz, and also edited Nixon's book No More Vietnams -- discovered Stephen King in addition to Grisham. Two out of three ain't bad!

Bill now helps authors treat their ailing manuscripts. There's a writing doctor in WW 2:22 as well, namely Lawrence K. Altman, M.D., who recently retired as the New York Times medical correspondent. Bartlett's press secretary, C. J. Cregg, puts him in the front row at a press conference in the vain hope that Bartlett will call on him first for a softball about his health rather than the dreaded question about his reelection plans.

I always thought the part was played by Altman himself, but when I said so on YouTube, I was gently corrected by a woman in Washington who said it was her late husband, a veteran character actor. I regret that I can't find his name. He played someone whom Nixon had admired for outstanding coverage of his near-fatal brush with phlebitis during 1974-75, when his critics unfairly accused him of being a faker to avoid coming to Washington to visit with the all-too-real special prosecutor.

Saturday, August 14, 2010

Monday, October 5, 2009

Perfect Solos: "Tunnel Of Love" (1981)



Dire Straits, performing in Sydney in April 1986

I acutely recall being in a department store in San Diego in 1979 and hearing "Sultans of Swing" for the first time on the PA system, Mark Knopfler's evocative, tightly focused song about a Dixieland band performing in a south London club.

"Tunnel of Love," the first song on 1981's "Making Movies," is notable for Knopfler's long, liquid fingerstyle solo. The eight-minute studio version expanded to 14 minutes on Dire Straits' 1984 live album "Alchemy." A shorter version, not quite as good, appeared on the band's "Live at the BBC" album. When iTunes finally released "Alchemy" last month to coincide with the release of Knopfler's latest solo album, "Get Lucky," I was dismayed to find that it included the "Live at the BBC" version of "Tunnel of Love."

My complaints about this bait and switch to iTunes and on Knopfler's web site have been unavailing. The song is famous for opening with a few bars of Rodgers and Hammerstein's musical "Carousel," which is duly noted in the songwriting credits. On "Alchemy," before Knopfler swings into the meat of his solo, he quotes Leonard Bernstein's "Maria" from "West Side Story." It's more subtle on the "BBC" version of the song. Could the longer version have fallen afoul of Bernstein's executors?

In any event, this YouTube version is also outstanding. Oh, those long, wasted, wonderful hours of air guitar!

Saturday, September 5, 2009

Sultan Of Strings

Folkie finger-style guitar god Mark Knopfler (founder of Dire Straits) has a new album, "Get Lucky." Listen to a taste of the record and a 16-minute Amazon.com interview here. The songs sound wonderful, of course. At about 7:00, he rhapsodizes about his guitar collection. Asked about his "desert island" guitar, he named two: A 1950s flattop Gibson and a custom-made by John Monteleone in Islip, New York.

Friday, April 3, 2009

Perfect Duos: "This Is Us" (2006)



Emmylou Harris and Mark Knopfler. Song by Knopfler, from their album All the Roadrunning, which was seven years in the making.